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Vorágine, by Orlando De la Rosa, arises from the author's imperative need to name hidden facts of his own history.
Thus, by going back and forth between reality and fiction, he tells the story of a family after the murder of the father.
Through the process of construction and editing of the images that make up this book, the photographer explores a series of events that question the limits of morality and where human nature reflects its indomitable nature: a violent land where heat suffocates, characters fleeing from the past, skins that rub against each other until they hurt themselves and an uncontrollable desire that ignores blood.
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